| Trod Nossel
Productions and Recording Studios
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Featured Staff Profiles
TYLER WILKINSON Probably the most good natured person you'll ever encounter, Tyler is a "grab the bull by the horns," "can do," pro. He graduated Magna Cum Laude from the Hartford Conservatory as a Recording Arts Major after attending University of CT as an undergrad. For the few years prior to arriving at Trod Nossel, Tyler was a freelance eningeer on various recording projects in the genres of jazz, rock, metal, latin and hip hop, both in the studio as well as live sound. He is a multi-talented, working musician, and can play the guitar and drums, as well as sing and write songs. He is currently working on some original material in the studio. Tyler dove head first into his position here at Trod and has honed his existing knowledge of Pro Tools, as well as some new mastering techniques. It didn't take long for Tyler to get acclimated here with his ability to jump in and turn a challenge into great-sounding music. Some of Tyler's recent Trod Nossel clients include veterans Freddy Parris and Sam Goldman of the famous 5 Satins, as well as Jamey Jasta and MTV. Though his forte is pop, R&B and Hip Hop, he is interested and capable of any kind of recording, tracking, mixing and/or mastering work. Tyler is available for your next project at Trod Nossel.
DONALD LANGELLA |
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Did You Know ?? Trod Nossel has a vintage EMT Tube Stereo Plate Reverb? It was purchased in 1966 from Gotham Audio, and it was used on the Wildweeds mixes. It's pretty rare, and few studios still have one. These acoustic devices were made in Germany during the late 1950's and are said to offer the finest "Vocal" reverb available, and can be heard on many Aretha Franklin and Simon & Garfunkel releases of the 60s. In general, during the 60s and 70s, most reverb used on famous recordings were generated by the EMT Plate Reverb. The sound quality of a plate is incredibly smooth and very dense. The unit has an extremely unique sound that no digital plug-in has been able to emulate completely.
Invented in 1957 by EMT in Germany, back in the day the EMT 140-ST was the standard in spatial enhancement. However, according to Mix Magazine, "old school is now new school." A lot of "digital babies" of engineering are embracing old school technology in their work, including but not limited to analog tape, and using a combination of outboard gear and Pro Tools for mixing. The reason being is that the sound the combo delivers is unmatched when strictly going 100% digital. Trod Nossel has both vintage and state-of-the-art equipment to suit all of your recording needs.
Click here for an article in Mix Magazine with more info on the
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